“Only the amiable 1951 Clarinet Quintet for Gervase de Peyer has been recorded before, but it’s the 1955 Clarinet Trio, first performed in New Zealand, that seems the most striking and characterful work here. The excellent Gould Trio are the stalwarts of this enjoyable disc.” --BBC Music Magazine, March 2010 *****
“Chandos continues to fly the flag for neglected 20th-century British music with this excellently played selection of Cyril Scott's chamber music...Those who maintain that Scott's music has been unjustly ignored for more than half a century...will no doubt welcome this collection.” --The Guardian, February 2010 ***
“Chandos continues to fly the flag for neglected 20th-century British music with this excellently played selection of Cyril Scott's chamber music...Those who maintain that Scott's music has been unjustly ignored for more than half a century...will no doubt welcome this collection.” --The Guardian, February 2010 ***
While still in his twenties, Cyril Scott was perceived as one of the pre-eminent avant-garde musicians of his generation. He was championed by such luminaries as Henry Wood and Thomas Beecham and his advocacy of the latest techniques briefly gave him a wide acquaintance with some of the leading musicians of the day, including Ravel and Debussy.
He became known as one of the ‘Frankfurt Gang’, that group of young composers who studied at the Hoch’sche Konservatorium and included such contemporaries as Roger Quilter, Norman O’Neill and Percy Grainger. After the First World War, however, he found himself increasingly at odds with the prevailing idioms of the day and became persona non grata with the musical establishment, which contributed to his lack of recognition as a serious composer in subsequent decades.
Scott wrote more than two dozen substantial chamber works and although some of his early chamber music has been revived from time to time, with the exception of the Clarinet Quintet this selection receives its premiere recording. The earliest work on the programme is Piano Trio No. 1 of 1920, but the disc significantly celebrates the chamber music composed after the Second World War, exemplifying Scott’s late style. The second Piano Trio dates from 1951 as does the one-movement Clarinet Quintet, inspired by the playing of Gervase de Payer who gave its first performance. The largest work, the Trio for Clarinet, Cello and Piano, is in three movements including a beautiful Intermezzo labelled Adagio espressivo.
The Gould Piano Trio is joined by Mia Cooper and David Adams, and by the clarinettist Robert Plane, recognised for his ‘outstanding musicianship’ (The Musical Times).
He became known as one of the ‘Frankfurt Gang’, that group of young composers who studied at the Hoch’sche Konservatorium and included such contemporaries as Roger Quilter, Norman O’Neill and Percy Grainger. After the First World War, however, he found himself increasingly at odds with the prevailing idioms of the day and became persona non grata with the musical establishment, which contributed to his lack of recognition as a serious composer in subsequent decades.
Scott wrote more than two dozen substantial chamber works and although some of his early chamber music has been revived from time to time, with the exception of the Clarinet Quintet this selection receives its premiere recording. The earliest work on the programme is Piano Trio No. 1 of 1920, but the disc significantly celebrates the chamber music composed after the Second World War, exemplifying Scott’s late style. The second Piano Trio dates from 1951 as does the one-movement Clarinet Quintet, inspired by the playing of Gervase de Payer who gave its first performance. The largest work, the Trio for Clarinet, Cello and Piano, is in three movements including a beautiful Intermezzo labelled Adagio espressivo.
The Gould Piano Trio is joined by Mia Cooper and David Adams, and by the clarinettist Robert Plane, recognised for his ‘outstanding musicianship’ (The Musical Times).
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